Between Breaths of Twilight

Which activities make you lose track of time?


The twilight never ended in Umbros, and neither did the work.

Lyrian Duskweaver’s fingers moved through substances that existed somewhere between shadow and smoke, her consciousness sliding effortlessly between the waking world and the realm of dreams as she shaped yet another vision into semi-solid form. The workshop around her existed in that liminal space where Umbros’s reality was most malleable—walls that shifted between opacity and transparency, floors that sometimes held the weight of footsteps and sometimes allowed passage to deeper layers of existence.

She had entered the studio when the eternal sunset painted the sky in shades of amber and violet, intending to spend an hour refining a particularly complex dreamscape commission. Now, as her awareness slowly surfaced from the depths of creative trance, she realized the quality of light hadn’t changed—but something felt different about the shadows that danced across her workspace.

Time flowed strangely in Umbros under the best circumstances, but when Lyrian lost herself in shadow-weaving, temporal boundaries dissolved entirely. Minutes became hours, hours became days, and occasionally she would emerge from deep work to discover weeks had passed while she existed in the space between one heartbeat and the next.

The current project spread across her workbench like a three-dimensional tapestry of crystallized possibility. What had begun as a simple commission—a dream-memory of childhood summers for a client whose aging mind could no longer access such recollections naturally—had evolved into something far more complex. Layer by layer, she had woven not just visual imagery but emotional resonance, sensory memory, the very essence of what it meant to be young and carefree under an endless sky.

Her tools existed in constant flux, shifting between physical and metaphysical states as her needs demanded. The shadow-silk she worked with felt warm and alive beneath her fingertips, responding to her intentions with the eager cooperation of a medium that existed primarily in the realm of possibility. Each strand carried fragments of actual dreams, harvested from the sleeping minds of voluntary donors who understood the value of sharing their subconscious experiences.

The work required total immersion—a surrender of conscious identity that allowed her to become temporarily one with the dream-stuff she manipulated. In this state, Lyrian’s sense of self became fluid, expanding to encompass not just her own memories and emotions but echoes of every dreamer whose experiences she had ever touched. She became the child running through summer meadows, the parent watching from a kitchen window, the observer and the observed simultaneously.

Around her, the workshop’s reality adjusted to accommodate her deepening trance. Walls grew more transparent, allowing glimpses of the layered dimensions that existed beneath Umbros’s surface reality. The eternal twilight outside her windows seemed to pulse in rhythm with her breathing, while shadows gathered in the corners like curious spirits drawn to the creative energy she generated.

The commission itself had grown beyond its original parameters as Lyrian discovered new dimensions within the client’s request. What had started as a simple childhood memory had revealed itself as a nexus point—a moment that had shaped not just one individual’s development but had rippled through generations of family history. She found herself weaving not just the surface experience but the deeper patterns that connected past to present, individual to collective, dream to waking reality.

Her fingers moved with practiced fluidity, drawing shadow-silk from the air itself and spinning it into configurations that captured the weight of sunlight on skin, the taste of berries stolen from a neighbor’s garden, the sound of laughter echoing across fields that existed now only in memory. Each element required careful calibration—too much detail and the dream would become overwhelming, too little and it would lack the emotional resonance necessary for therapeutic integration.

The work demanded absolute presence, a form of meditation that transcended ordinary consciousness. Lyrian’s awareness expanded beyond the boundaries of her individual identity, touching the collective unconscious that flowed like an underground river through all of Umbros. In this state, she could perceive the dreams and fears of the entire realm, the hopes and sorrows that colored every shadow with emotional significance.

Hours passed unnoticed as she layered memory upon memory, each strand of shadow-silk carrying its own fragment of experience. The childhood summer she crafted became a living thing, pulsing with the rhythms of growth and discovery. She wove the feeling of grass beneath bare feet, the way afternoon light filtered through leaves, the particular quality of silence that came just before thunderstorms.

But the work was more than mere craftsmanship—it was a form of communion with the deepest aspects of human experience. Each dream she shaped brought her into contact with the universal patterns that connected all conscious beings. Joy and sorrow, hope and fear, love and loss—the fundamental emotions that gave meaning to existence regardless of species or origin.

As the twilight deepened—or perhaps lightened, for in Umbros the distinction held little meaning—Lyrian found herself descending deeper into the creative flow. Her consciousness merged more completely with the dream-stuff she manipulated, her sense of individual identity dissolving into the larger patterns she worked to capture. She became the medium through which possibility took form, the conduit through which the realm of dreams touched the waking world.

The workshop around her responded to her deepening trance, reality becoming increasingly malleable as her influence spread beyond the immediate workspace. Shadows began to move independently, forming shapes that echoed the emotional content of her creation. The air itself seemed to thicken with possibility, carrying whispers of voices from dreams she had touched over the years.

In this state, Lyrian lost all sense of external time. The eternal twilight of Umbros became an internal condition, a way of being that transcended the ordinary boundaries between day and night, sleeping and waking, self and other. She existed in the space between breaths, in the pause between heartbeats, in the moment of perfect balance where all possibilities coexisted without contradiction.

The childhood summer she crafted grew in complexity, becoming not just a memory but a living ecosystem of experience. She wove the relationships between family members, the subtle dynamics that had shaped formative moments, the way individual experiences connected to larger patterns of growth and change. Each element required delicate handling, as the difference between healing and harm lay in the precision of her work.

When awareness finally began to return—drawn back by the gentle insistence of her body’s need for sustenance and rest—Lyrian found herself surrounded by a creation that far exceeded her original intentions. The dream-memory she had crafted pulsed with life, its shadow-silk construction shimmering with the accumulated emotions of countless similar experiences. It was no longer merely a commission but a work of art that captured something essential about the nature of memory itself.

The quality of light outside her windows suggested that significant time had passed, though whether hours or days remained unclear. In Umbros, such distinctions mattered less than the depth of experience achieved. The workshop around her slowly solidified back into its normal state, shadows returning to their proper positions, reality reasserting its more conventional boundaries.

She flexed her fingers, feeling the subtle ache that came from extended work with shadow-silk. Her back protested the hours spent hunched over her workbench, while her eyes burned from the strain of perceiving multiple layers of reality simultaneously. But alongside the physical discomfort came a deeper satisfaction—the knowledge that she had created something genuine, something that would serve not just her client’s needs but the larger purpose of preserving and sharing human experience.

The completed commission would allow its recipient to re-experience a formative moment with full sensory and emotional intensity, providing not just nostalgic pleasure but therapeutic healing. The carefully woven dream-memory would integrate with the client’s existing neural pathways, becoming part of their accessible consciousness in ways that natural memory could no longer achieve.

As she prepared to package the creation for delivery, Lyrian marveled at how completely the work had consumed her awareness. In the space between one breath and the next, she had touched the infinite—had become temporarily one with the fundamental forces that shaped conscious experience. The loss of temporal awareness wasn’t a side effect of her craft but its essential nature, for shadow-weaving required a surrender of ordinary consciousness that opened doorways to deeper truths.

The twilight of Umbros stretched endlessly beyond her windows, neither advancing nor retreating but existing in the eternal now that characterized her realm. Soon, she would begin another commission, would once again lose herself in the fluid boundaries between dream and reality, between self and other, between time and timelessness.

For now, though, she simply stood in her workshop, surrounded by the tools of her impossible trade, grateful for the gift of work that made time irrelevant and transformed mere existence into something approaching art. In the realm of eternal twilight, where shadows danced with possibility and dreams took solid form, the loss of time wasn’t a phenomenon to be measured but a state of being to be celebrated.

The next breath would bring new dreams to weave, new memories to capture, new opportunities to lose herself in the space between conscious and unconscious, between what was and what could be. And in that space, time would once again become irrelevant, another boundary dissolved in service of the greater work of preserving and sharing the dreams that gave meaning to existence.


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An aspiring author and fantasy novelists.